The author's own contribution (in Russian, vымыsel) plays a major role in a literary work. But I don’t write anything about what I didn’t see or know in my marriage. Each of my works is written because of a married event… I am puzzled about how to write a work while studying the materials. As a result, I create a very rough sketch of my work on my own and then get to work. Without such a scheme, I would never be able to sit on the record.
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To be a true writer, you need to study life in every way, to be aware of every page of it. In part, my experiences played a big role in my becoming a writer. Even our young people who want to become real writers need to get into this life first, to know it.
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There are two kinds of criticism in the literary world: serious criticism and satirical criticism… The second type of criticism is comedy (in the sense of satire) which can be called public… Humorous criticism is close to the soul of the common man and translates to issues he feels but cannot express. Conclusion: The element of humor in the nature of comic criticism is the lover of the common man, again, his own creation.
Although the position of a nation in every field is judged by its level in culture, that is, its level, but its level in comedy does not matter. The humorous genius of the nation is often seen as the swallow of the renaissance history of that nation. For example, in Italy, Spain and Russia (Gogols)…
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When I was writing The Last Days, I always had a reader in mind. With this book, I would like to say that we are trying to inspire our people a little bit.… Since the level of the work is written for this well-known people, look at the "last receptions" for a while. to close, it is necessary to pinch the last receiver slightly in the interval. The fact that our poems and prose, written in the last episode, remain unique to one class is proof of our claim.
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Before I write a piece, I carefully study the material about what I want to write o'rganish When studying the material, I pay attention to even the smallest details. For example, how many trees there are in the place I want to study, how many of them are old and how many are new, what kind of birds land on those trees when I go, and so on. At first glance, these things may seem insignificant, but they can be useful later. Degan Everyone who wants to be a writer must develop the ability to observe the details of such a life.
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"Last Days" is a small experience, or rather a passion, to get acquainted with the novels of the new age. It is well-known that it is natural for any work to appear with many shortcomings in the new, primitive period, and to be gradually corrected and perfected by the achievements of the people. That is why I dared to envy myself, I was not afraid of the flaws and mistakes that pass behind amateurism.
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The reason for the greater use of didactic methods is that "Last Days" is written according to the level of our population. It is well known that our people are still nourished by medieval epics and stories. Given this state of affairs in the public eye, giving a "last resort" to our young people with only five or ten fingers (they are also ignorant in their profession) would be like biting a child without teeth. However, this old reception was adopted, taking into account the level of our people.
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It takes a long time to say a word and make a sentence out of it. It is a great sin for a writer to understand only himself and others not. Original writing is about being able to convey the point you want to make to everyone equally, without creating misunderstandings. In addition, words and sentences that do not serve the purpose of expression should never be included in the text. Only then will you not allow the phrase to be corrected and have an independent style and expression, ensuring your perspective on the pen. It is not good to trust someone and try in vain, do not turn your back on someone and bless the spirit of the talent you have! Writing in ten hours, not an hour, is not only a recurrence, but a tenfold correction is both more useful and hopeful than turning to someone for help.
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A few years ago, Comrade Sotti Hussein told me that he intended to criticize The Last Days, and when he asked for help, I told him that I was glad, "If you remain steadfast in this intention, you will lose a flaw in our criticism!" He even introduced me to George Zaydan, a teacher from Egypt, who encouraged me to write a novel, recommended George Zaydan's novels and non-fiction to S. Hussein, and wrote a biography of his dream. I gave. Indeed, it is your job and ours to always encourage such young, enthusiastic young men.
