Circle The history of the emergence of folk musical instruments goes back to the distant past. First in music datepercussive instruments appeared. These are Drums, Chindovul, Chidrilma, Hurricane and Circles. The round musical instrument that has reached us from ancient times to our time has remained unchanged.
In the field of music, along with the peoples of Central Asia and the East, Uzbek methods, that is, rhythmic ways and their development methods, occupy a special place. The methods are usually used in the performance of percussion instruments. Among the most common percussion musical instruments, a musical instrument with its melodious sound in Uzbekistan, Tajikistan, and the Uyghur peoples, as well as in the East, is the circle.
The circle phrase is sometimes called "Dapp", "Childirma", "Chirmanda". In Khorezm, the performer of dapp and childirma is called "Dappchi"-childirmachi, in Bukhara it is called doyradast, in Ferghana it is called chirmandachi, and in Samarkand it is called doyrachi.
The Uzbek people have long admired the circle tool. In the past, under the sound of this instrument, people were called to the fields, weddings, competitions and various entertainments. In particular, seasonal holidays such as "Harvest", "Grape Harvest", "Melon Harvest" are widespread.
Percussive musical instruments such as trumpets, trumpets, drums, and drums are widely used in festivals and cultural ceremonies.
The legacy of the great Shark thinkers also has historical value in the field of folk music studies. Abu Nasr Muhammad Farabi's famous work "The Big Book About Music" ("Kitab al-musiqa, al-kabir") is of great importance. From this book, the medieval scholar distinguishes between two types of music performance: the reproduction of melody by the human voice (singing art) and musical instruments.
Darvish Ali gave information about the musical ensembles and their performers that existed in his time (XVII acp). There was an ensemble of 60 musicians in the palace. The ensemble of 60 musicians called "Drum Room" was led by a drummer. Darvish Ali provides an example of this argument:
"The drummer Syed Ahmedbin Mehtar Miroqi was the leader-mehtar of the ensemble in the palace of Sultan Husayn. "Drum room" refers to the room where the performers are while playing drums and percussion instruments.
The rich heritage of Usta Olim Komilov, who made his contribution to making circle rhythmic methods popular in our republic, serves as a great school for generations. The famous circle players Gofur Azimov, Gofur Inoghomov, Rahim Isakho'jayev, Evner Barayev, Kahramon Dadayev, Ravshan Akbarbekov, Odil Kamolhojayev, Dadakhoja Sottihojayev, Toychi Inoghomov continued the traditions of the master. .
Also, assistant professor of the Tashkent State Conservatory, A. Khliviyev, created a collection of "Etudes for the Circle". Sam. DU. Ya. Hakkulov, Associate Professor of the Faculty of Music, created a collection of "Plays for the Circle". Sam named after A. Rasulov. Asliddin Sirojev, a senior teacher of DSBU, created "Plays for the circle", A. Ashrafkhojayev wrote "a chrestomatization for the circle class".
